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	<title>Comments on: Acoustics Part I: an Introduction to Resonance</title>
	<atom:link href="http://emusictips.com/2009/03/acoustics-part-i-an-introduction-to-resonance/feed/" rel="self" type="application/rss+xml" />
	<link>http://emusictips.com/2009/03/acoustics-part-i-an-introduction-to-resonance/</link>
	<description>Tips that will help you become a better producer</description>
	<lastBuildDate>Wed, 28 Jul 2010 23:42:27 +0000</lastBuildDate>
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		<title>By: Wunjo</title>
		<link>http://emusictips.com/2009/03/acoustics-part-i-an-introduction-to-resonance/comment-page-1/#comment-762</link>
		<dc:creator>Wunjo</dc:creator>
		<pubDate>Tue, 13 Apr 2010 15:48:18 +0000</pubDate>
		<guid isPermaLink="false">http://emusictips.com/?p=242#comment-762</guid>
		<description>Hey man great article! I love the science behind the art. Did you also know that tesla had patented a design that he said could resonante at the earth&#039;s natural frequency and cause it to split itself in half?</description>
		<content:encoded><![CDATA[<p>Hey man great article! I love the science behind the art. Did you also know that tesla had patented a design that he said could resonante at the earth&#8217;s natural frequency and cause it to split itself in half?</p>
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		<title>By: AspiringSoundGeek</title>
		<link>http://emusictips.com/2009/03/acoustics-part-i-an-introduction-to-resonance/comment-page-1/#comment-746</link>
		<dc:creator>AspiringSoundGeek</dc:creator>
		<pubDate>Thu, 11 Mar 2010 10:43:15 +0000</pubDate>
		<guid isPermaLink="false">http://emusictips.com/?p=242#comment-746</guid>
		<description>GREAT SITE! Where is part 2???</description>
		<content:encoded><![CDATA[<p>GREAT SITE! Where is part 2???</p>
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	<item>
		<title>By: fl beats</title>
		<link>http://emusictips.com/2009/03/acoustics-part-i-an-introduction-to-resonance/comment-page-1/#comment-744</link>
		<dc:creator>fl beats</dc:creator>
		<pubDate>Sun, 07 Mar 2010 04:55:36 +0000</pubDate>
		<guid isPermaLink="false">http://emusictips.com/?p=242#comment-744</guid>
		<description>Hallo from Brazil! I have found your url on aol. Handful content! Nancy D. Murphy x</description>
		<content:encoded><![CDATA[<p>Hallo from Brazil! I have found your url on aol. Handful content! Nancy D. Murphy x</p>
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	<item>
		<title>By: Fabio Garces</title>
		<link>http://emusictips.com/2009/03/acoustics-part-i-an-introduction-to-resonance/comment-page-1/#comment-733</link>
		<dc:creator>Fabio Garces</dc:creator>
		<pubDate>Sat, 30 Jan 2010 16:01:04 +0000</pubDate>
		<guid isPermaLink="false">http://emusictips.com/?p=242#comment-733</guid>
		<description>Great article bro,
it is great to see, that you are looking at the deeper aspect of sound and vibration. Vibration has a very profound significance in all things. Everything in the universe y made up of tiny vibrating strings of energy and sound interacts directly with those vibratory patterns. There is a reason why music has a sort of magical quality and certain notes or melodies can bring out even certain emotions in a person. Also sound healing knowledge is something that is resurfacing in human conciousness, it would be amazing to see more musicians creating with this extra dimension of understanding sound and its possible aplications.
Just recently found your site, but will keep checking it out, good production tips Thanks.</description>
		<content:encoded><![CDATA[<p>Great article bro,<br />
it is great to see, that you are looking at the deeper aspect of sound and vibration. Vibration has a very profound significance in all things. Everything in the universe y made up of tiny vibrating strings of energy and sound interacts directly with those vibratory patterns. There is a reason why music has a sort of magical quality and certain notes or melodies can bring out even certain emotions in a person. Also sound healing knowledge is something that is resurfacing in human conciousness, it would be amazing to see more musicians creating with this extra dimension of understanding sound and its possible aplications.<br />
Just recently found your site, but will keep checking it out, good production tips Thanks.</p>
]]></content:encoded>
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	<item>
		<title>By: Randall Mathews</title>
		<link>http://emusictips.com/2009/03/acoustics-part-i-an-introduction-to-resonance/comment-page-1/#comment-724</link>
		<dc:creator>Randall Mathews</dc:creator>
		<pubDate>Wed, 30 Dec 2009 12:13:20 +0000</pubDate>
		<guid isPermaLink="false">http://emusictips.com/?p=242#comment-724</guid>
		<description>Good writing. I&#039;m looking for info to help me design a room tuning system to enhance enjoyment of modal viol jamming. Basically room length 3.5 metres (G) Width 2.6 m (C) etc. Any clues?</description>
		<content:encoded><![CDATA[<p>Good writing. I&#8217;m looking for info to help me design a room tuning system to enhance enjoyment of modal viol jamming. Basically room length 3.5 metres (G) Width 2.6 m (C) etc. Any clues?</p>
]]></content:encoded>
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	<item>
		<title>By: AngryMAN</title>
		<link>http://emusictips.com/2009/03/acoustics-part-i-an-introduction-to-resonance/comment-page-1/#comment-527</link>
		<dc:creator>AngryMAN</dc:creator>
		<pubDate>Fri, 24 Jul 2009 17:27:48 +0000</pubDate>
		<guid isPermaLink="false">http://emusictips.com/?p=242#comment-527</guid>
		<description>Good articles! Great job man. I&#039;m reading all your posts and they are all very interesting. I&#039;ll follow this religiously!

Thanks</description>
		<content:encoded><![CDATA[<p>Good articles! Great job man. I&#8217;m reading all your posts and they are all very interesting. I&#8217;ll follow this religiously!</p>
<p>Thanks</p>
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	<item>
		<title>By: Brian Scott</title>
		<link>http://emusictips.com/2009/03/acoustics-part-i-an-introduction-to-resonance/comment-page-1/#comment-452</link>
		<dc:creator>Brian Scott</dc:creator>
		<pubDate>Sat, 28 Mar 2009 12:27:30 +0000</pubDate>
		<guid isPermaLink="false">http://emusictips.com/?p=242#comment-452</guid>
		<description>Great article.  I&#039;m a fairly well versed and well studied producer who&#039;s gotten my hands dirty with my share of music technology.  Personally, I&#039;ve noticed a lot of troublesome issues with resonance when using reverb in a mix.  So that&#039;s one area to watch out for.  Also, keep in mind that your monitors (speakers) that you listen to your mix through have a particular frequency that THEY desire to resonate at.    This can create the auditory &quot;illusion&quot; of a set of frequencies, that in reality may not be audible outside your particular brand/model/size of speaker.  One way to counteract this problem may be adjusting your EQ settings. Or you can do as some audio engineers do and record a broadcast of pink noise in order to properly set your EQ settings to counteract any resultant resonance/frequency problems.  This should take care of troublesome frequencies within your speaker cabinets AND within the room you record!</description>
		<content:encoded><![CDATA[<p>Great article.  I&#8217;m a fairly well versed and well studied producer who&#8217;s gotten my hands dirty with my share of music technology.  Personally, I&#8217;ve noticed a lot of troublesome issues with resonance when using reverb in a mix.  So that&#8217;s one area to watch out for.  Also, keep in mind that your monitors (speakers) that you listen to your mix through have a particular frequency that THEY desire to resonate at.    This can create the auditory &#8220;illusion&#8221; of a set of frequencies, that in reality may not be audible outside your particular brand/model/size of speaker.  One way to counteract this problem may be adjusting your EQ settings. Or you can do as some audio engineers do and record a broadcast of pink noise in order to properly set your EQ settings to counteract any resultant resonance/frequency problems.  This should take care of troublesome frequencies within your speaker cabinets AND within the room you record!</p>
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